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Reading: Naoya Inoue Immortalized in Striking New Artwork Titled ‘Monster on the Canvas’
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Sportsmacro > Boxing > Naoya Inoue Immortalized in Striking New Artwork Titled ‘Monster on the Canvas’
Boxing

Naoya Inoue Immortalized in Striking New Artwork Titled ‘Monster on the Canvas’

Last updated: October 21, 2025 10:29 am
By Innocent Moore - Sportmacro reporter 6 Min Read
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Naoya Inoue Art - The Monster Becomes Myth
Naoya Inoue Art - The Monster Becomes Myth

Naoya Inoue — the “Monster” from Japan — is no longer just a rising star in the boxing world. He’s a phenomenon. What began as a quiet, disciplined rise through the ranks has evolved into a masterclass in dominance, precision, and devastation.

Contents
A Fighter Worth ImmortalizingThe Artist Behind the CanvasThe Inoue PortraitA Personal ConnectionStill DreamingInoue vs. Nakatani at the Tokyo Dome.

Inoue steps into the ring with the calm of a samurai. But when the bell rings, he becomes something else entirely — a force of nature. His punches are not just powerful; they are precise, calculated, and cold. Every shot is delivered with the timing of a surgeon and the intent of a warrior honed by tradition. In the lighter divisions where knockouts are rare, Inoue has made them routine: 27 knockouts in 31 fights — a staggering ratio.

He’s dismantled some of the best: a dramatic, violent victory over Nonito Donaire; a surgical demolition of the previously unbeaten Stephen Fulton; and the unforgettable night at the Tokyo Dome — the first time a boxer sold it out since Mike Tyson — where over 43,000 fans watched him deliver a performance of chilling dominance.

Inoue’s fights transcend sport. They’re a ritual — a modern fusion of beauty and brutality. When he waits in the corner, his face unreadable, it’s as though he already knows how the fight will end. He doesn’t posture. He doesn’t perform. He simply executes. His fists do the talking, and what they say is unforgettable.

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A Fighter Worth Immortalizing

In 2023, Inoue’s dominance earned him the highest accolade in boxing journalism: Fighter of the Year by the Boxing Writers Association of America (BWAA) — the first Japanese boxer in the 85-year history of the award to claim the honor. The BWAA cited his stunning victories over Stephen Fulton and Marlon Tapales, performances that elevated him into rarefied air.

To commemorate this milestone, the BWAA turned once again to Richard T. Slone, its longtime official artist and one of boxing’s most celebrated painters.

The Artist Behind the Canvas

Slone, a British-born painter now based in Las Vegas, began his journey in boxing as a protégé of Joe Frazier and a fixture at Detroit’s famed Kronk Gym. But it was with a brush, not gloves, that he carved out his legacy. Since 1996, he has painted the official portraits for the International Boxing Hall of Fame and was commissioned to capture iconic moments like Mayweather vs. Pacquiao and Canelo vs. Golovkin.

His work has graced the covers of Ring Magazine, Boxing News, and adorned the walls of fight fans and champions alike. Slone doesn’t just paint boxers — he paints the soul of boxing.

The Inoue Portrait

In Slone’s BWAA Fighter of the Year portrait, Naoya Inoue is captured at the precipice of action — coiled power, supreme focus. The vertical composition elongates Inoue’s figure, suggesting relentless forward momentum. It feels as though he’s breaking through the canvas — unstoppable.

The color palette is stark and purposeful: deep reds and flesh tones mirror the heat of battle, while cool greys evoke Inoue’s steely calm. Slone’s signature brushwork creates a sense of motion, tension, and energy — every drop of sweat, every muscle fiber, alive with purpose. Inoue’s face reveals no rage — only icy precision and unshakable belief.

There’s no opponent. No ropes. No crowd. Just the fighter. In isolating Inoue from the context of combat, Slone elevates him to something timeless — not just a boxer, but a symbol of excellence, discipline, and history.

A Personal Connection

As a long-time fan of Inoue, I’ve had the privilege of witnessing his greatness firsthand — first in 2017 during the Superfly series against Antonio Nieves at the StubHub Center in Carson, California, and again in 2024, when he faced Ramon Cardenas in Las Vegas. I traveled all the way from Germany just to see him — and every moment was worth it.

When Richard T. Slone shared that he would be painting Inoue for the BWAA’s Fighter of the Year portrait, I instantly knew: I have to own that piece. It became my birthday gift to myself — and one of the most meaningful artworks I’ve ever acquired.

This painting isn’t just a tribute to Inoue’s achievements — it’s a lasting reminder of what makes boxing beautiful. It’s a celebration of craft, power, and grace. It’s the spirit of a champion captured in oil and brushstroke.

Still Dreaming

My boxing bucket list is full — I’ve been blessed to see so many incredible moments live. But at the very top of my wishlist now?

Inoue vs. Nakatani at the Tokyo Dome.

Until then, this painting — this portrait of a living legend — hangs on my wall, reminding me every day why I fell in love with the sport in the first place.

TAGGED:Naoya Inoue
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